Las óleos de todo ALBERTINELLI Mariotto
ID Image  Painting (From A to Z)       Details 
4683  
ALBERTINELLI Mariotto, Annunciation_00
  		 Annunciation_00   1503 Oil on wood, 23 x 50 cm Galleria degli Uffizi, Florence
4684  
ALBERTINELLI Mariotto, Birth of Christ jj
  		 Birth of Christ jj   1503 Oil on wood, 23 x 50 cm Galleria degli Uffizi, Florence
4685  
ALBERTINELLI Mariotto, Circumcision kin
  		 Circumcision kin   1503 Oil on wood, 23 x 50 cm Galleria degli Uffizi, Florence
96868  
ALBERTINELLI Mariotto, Seascape
  		 Seascape   1912(1912) Medium oil on canvas Dimensions 48 X 69 cm cyf
4782  
ALBERTINELLI Mariotto, The Church Militant and Triumphant
  		 The Church Militant and Triumphant   1365-68 Fresco Cappella Spagnuolo, Santa Maria Novella, Florence
4781  
ALBERTINELLI Mariotto, The Church Militant and Triumphant gg
  		 The Church Militant and Triumphant gg   1365-68 Fresco Cappella Spagnuolo, Santa Maria Novella, Florence
20149  
ALBERTINELLI Mariotto, The Virgin and Child Adored by Saints Jerome and Zenobius (mk05)
  		 The Virgin and Child Adored by Saints Jerome and Zenobius (mk05)   1506(with Francesco Franciabigio). Canvas,731/4 x 691/4''(186 x 176 cm).From Santa Trinita in Florence 1813;acquired for the Louvre in 1814
77946  
ALBERTINELLI Mariotto, Virgin and Child
  		 Virgin and Child   ca. 1512(1512) Medium panel cyf
4682  
ALBERTINELLI Mariotto, Visitation jj
  		 Visitation jj   1503 Oil on wood, 232 x 146 cm Galleria degli Uffizi, Florence
ALBERTINELLI Mariotto
Italian Early Renaissance Painter, 1474-1515 Already as a 12-year old boy, he became a pupil of Cosimo Rosselli, and a fellow-pupil with Fra Bartolomeo with whom he formed such an intimate brotherly rapport that in 1494 the two started their own studio in Florence. Vasari's opinion was that Mariotto was not so well grounded in drawing as Bartolomeo, and he tells that, to improve his hand he had taken to drawing the antiquities in the Medici garden, where he was encouraged by Madonna Alfonsina, the mother of Duke Lorenzo II de' Medici. When the Medici were temporarily banished in 1494, he returned to his friend, whose manner he copied so assiduously, according to Vasari, that his works were taken for Baccio's. When, in the wake of Savonarola's morality campaign, Baccio joined the Dominican order as Fra Bartolomeo in 1500 and gave up painting, Albertinelli, beside himself with the loss, would have joined him; but, spurred by his success in completing an unfinished Last Judgment of Bartolomeo's, he resolved to carry on alone. Among his many students were Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola and Giuliano Bugiardini. Albertinelli's paintings bear the imprint of Perugino's sense of volumes in space and perspective, Fra Bartolomeo's coloring, the landscape portrayal of Flemish masters like Memling, and Leonardo's Sfumato technique. His chief paintings are in Florence, notably his masterpiece, the Visitation (1503) at the Uffizi.



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